The 2012 Film & History Conference
September 26-30, 2012
Hyatt Regency, Milwaukee (USA)
Publication Calendar
Book:
THE POETICS OF LOVE: Theory and Practice in Film and Television
Submissions Closed: February 1, 2012
Journal:
"The Critic's Choice: Book and Film Reviews" (42.1: Spring 2012)
Mailed to Subscribers in April
"Representations of Love in Film and Television" (41.2: Fall 2011)
News and Updates
Back issues of F&H will be available from Project MUSE later this year
Two new members of the Advisory Board:
David Bordwell, University of Wisconsin MadisonLaura Mulvey, Birkbeck College, University of London
Please note our new e-mail address: editor@filmandhistory.org
Download the video of the award presentations and the introduction to Laura Mulvey: 80MB file
Contact Information
For information on film reviews or area-chair duties, please contact the Director of Communications,
Cindy Miller, at cymiller@tiac.net
For information on book reviews, please contact the Book Reviews Editor,
Paul Cohen, at paul.m.cohen@lawrence.edu
For information on major editorial or Center-related decisions, please contact the Director and Editor-in-Chief,
Loren Baybrook, at FilmandHistory@uwosh.edu
Libraries: Film & History is part of Project MUSE, included in its Standard, Basic Research, and Humanities Collections--the last "a subset of the Premium Collection...an interdisciplinary collection of high quality, peer-reviewed journals designed for institutions acquiring extensively in the humanities." See the Johns Hopkins University Press Web site for details. We are also proudly affiliated with EBSCO, WilsonWeb, ProQuest, and Gale.
Center for the Study of Film and History
800 Algoma Blvd., Dept. of English
Oshkosh, WI 54901
920-424-0976
editor@filmandhistory.org
Editorial Staff and Advisory Board
F
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The "&" in Film & History
Because Film & History recognizes the constructed nature of almost every film, even of documentaries, the journal publishes scholarship that understands both the aesthetic and the historical contexts of the work under study. A constructed world has both internal and external rules, which must be explained in relation to each other. Graphically and semantically, the “&” in Film & History represents this suture between aesthetic and historical scholarship.
